Tonight I was working on the Nobody’s Hero synopsis when I took a break — OK, several breaks — to check my Twitter feed for the writing community’s response to my question of “How do I write a synopsis without tearing all my hair out?”
Instead, I found this piece on Vulture.com:
It’s an excerpt from a forthcoming book by Jayson Greene called Once More We Saws Stars, and it’s heartbreaking. The story on its own — how the author and his wife lost their young daughter to a falling brick from an apartment building window sill — is tragic, but the way Greene writes it…well, I haven’t been so moved by writing in God knows how long.
“‘She’s going to be okay, ‘ he tells me, and I hear a touch of a plea behind the reassurance in his voice. I don’t know very much yet. But I had seen the haunted looks on the EMTs’ faces when I entered, and I had already behld the terrible sight of Greta’s body, lifeless and birdlike, lying limp on a massive table.
“‘No, John,’ I say grimly. ‘No, I think she won’t.'”
Emotional context aside, that sentence structure is jarring. It’s clearly the author’s voice, and it’s so purely caught in the moment — distracted and absorbed all at once by the events going on around him.
It feels wrong to say that Greene’s excerpt “inspired” me, as it’s a real and terrible moment in his life. But the vulnerability he shows is something every writer should display in cases like these, as it pulls the audience in and makes them feel just as susceptible to the tragedy of the story.
Note: I wrote this in April, but my internet connection was faulty and the post was never published. Tonight I found it in my drafts folder.