The apartment yawned stale, sunbaked air in our faces as the maintenance man unlocked the door and swung it open.
“When was the last time you saw her?” I asked. In the dim glow of the hall light I could read the embroidered script on his work shirt: “Chuck.” I didn’t even know there were people under 50 named Chuck anymore.
“She was home when I had to fix the smoke detector last month,” Chuck said. “It kept going off in the middle of the night, waking everyone up on the floor.”
Adam handed him the thrice-folded $20 as he passed him on his way across the threshold as a thank you, and Chuck got the hint that it was also to guarantee privacy for our investigation.
“I’ll wait downstairs for you so I know when to lock up,” he said, leaving us to explore alone.
From the entrance, Agatha’s apartment looked like the typical 20-something writer’s studio, with style taking a backseat to convenience. Three mismatched pressboard bookshelves groaned under paperbacks and stacks of Vanity Fair, Wired, Mother Jones, The Atlantic, Ms., Bitch, and Fast Company back issues. Her vinyl couch had likely been assembled with an Allen wrench that came with it in the IKEA box. A mattress and box spring was jammed like an afterthought into the corner and covered in a faded kaleidoscope duvet cover, sans duvet inside. A plate, red wine glass, skillet and wooden spoon collected dust on a drainboard, and the refrigerator hummed under a layer of half-formed grocery lists and someday-I’ll-need-it business cards.
“You must have really made out in the divorce agreement,” I said to Adam. “Or did you just get all the good furniture?”
“We didn’t have any ‘good furniture,'” Adam replied shortly, continuing his way into the apartment.
Walking in behind him, I felt like I was easing myself into a bubble bath drawn with ice water. The small studio looked like it belonged to an ambitious 20-something writer, but as I submerged deeper into the apartment, it became clear that before her disappearance, Agatha had been descending into a chaotic obsession.
The notes on the fridge weren’t grocery lists: They were seemingly unrelated words and phrases that formed a cloud passing from the fridge, across the backsplash, around the corner and filling the wall above a desk that looked to have been rescued from a curb on garbage day. There were no webs of string, no highlighted portions like the conspiracy walls in the movies, and this perhaps made it more ominous: Agatha didn’t need to connect these things visually because either she was able to keep them straight in her own head, or because there was really no reasoning to why she had written “Caravan” and “chauffeur’s daughter” in the blank spaces of a Chinese takeout menu, then pinned it next to a torn green Post-it listing “Burt’s Bees / KIND bars / fire plug on Hollyhock Lane.”
“Did she used to do this when you were together?” I asked Adam.
He shook his head, mouth agape at his ex-wife’s handwriting scrawling across the scratch-paper wallpaper.
“Sometimes she’d start a notebook, use about five pages of it, then put it in a box and start a new one,” he said absentmindedly as his eyes flitted from note to note. “Always said it was the creative in her and that lots of writers did that. The only book she’d actually fill up was her—”
Adam stopped and looked at the desk. It was covered in mail (both open and sealed), receipts, packing slips, a set of knit gloves likely left there since last winter, and more notes like the ones on the wall. And that was just the top layer of the bric-a-brac cluttering it.
“She kept a journal,” Adam said. “Not every day, but she’d fill it up in a year and need a new one. I’d usually get her something nice for Christmas — leather-bound, or hardback — but she’d always pick up a composition notebook from Target or something. Said there was less pressure to be perfect that way.”
He started shuffling the papers on the desk like playing cards, stacking them and lifting them and gently placing them on the floor. More little notes slid on unseen air drafts, yelling “MORE COBWEBS!” or matter-of-factly stating “Ranch = spirits from 1960s.”
As he meticulously shuffled through Agatha’s desk contents, I began to wander the rest of the tiny apartment. One of her dresser drawers was ajar, and I slid it open, slowly as if hoping Agatha wouldn’t notice — which was silly, of course, as she wasn’t there.
Nothing seemed to be missing inside the drawer: Rather, it was hard to tell if anything was out of place, as the entire thing was filled with sloppily folded T-shirts and sweaters. Close to the top was the green argyle pullover she’d been wearing the day she came to tell me about meeting someone at a housewarming who would make a great story. My stomach flipped at the thought that if I had just said “no,” I wouldn’t be bribing her maintenance man to let me and her ex-husband into her apartment so we could figure out what happened to her.
“Hey, I found something,” Adam said. I turned around to see him holding not a composition notebook but one of the flip-top reporting notebooks we stocked in Deus Ex Machina‘s office supply room. “Doesn’t look like her journal, but the notes in this are a lot more coherent than the ones on the wall. And there’s a whole drawer of them, look.”