I recently finished reading House of Leaves by Mark Z. Danielewski. If you haven’t read it before but enjoy writing and reading horror, literary analysis, family drama, dysfunctional romance, mythology or surrealism — you might want to pick up a copy. Just be aware: It’s a job.
House of Leaves is ergodic fiction, which means that it’s written in a way other than the traditional way, where you read page one and keep turning pages until you reach the end. Instead, it’s told in the form of letters, manuscripts, asides, footnotes, poems and extensive appendices and exhibits tucked in the back of the book. Prep yourself with three bookmarks so you can track where you are as you jump back and forth between the multiple storylines explored.
Is all that work worth it? At some points I’d say “no.” There’s parts that were hard (for my end-of-the-day brain, anyway) to navigate, and I have to admit I merely skimmed the pages and pages of “Pelican Poems” in the appendix. But the story lines — one about a family whose house has an invisible labyrinth within it that changes as you explore it, one about how that family’s house is the subject of a documentary that doesn’t actually exist but was being analyzed and written up by an old blind man before he died, and one about the tattoo artist/apprentice trying to preserve the old man’s manuscript while running from his own demons — are equally fascinating, even though they occasionally dip into what I call “late-1990s cishet male angst.” Think High Fidelity but 80 times longer and without confusingly charming John Cusack.
Close to finishing the book, a friend introduced me to Poe’s Haunted album, which was entirely based on the book. Turns out that the artist is Danielewski’s sister, which means she had a leg up on creating what I think is not just a fantastic concept album, but also a great guide for understanding the book. Think SparksNotes but song in a way that Fiona Apple and/or the Cranberries would have done it.
Anyway, I haven’t listened to the album while writing (yet — there are some tracks like “Dear Johnny” and “Spanish Doll” that could end up in a project playlist or two), but it got me thinking about how a writer’s work can inspire other artists to create. Film adaptations tend to be the first thing to enter our heads, but an album? Now that’s a labyrinth I could get lost in for a while…
Poe’s full album is available on YouTube, but be a good sport and buy it from iTunes if you can. Support artists!