Vignette: Snow-Up

It was snowing upward again.

From his desk on the 30th floor, Chris watched the white flakes swirl along the upstream. It looked like whoever was up there had realized it was April and thought “oops, wrong month for a blizzard!” and turned on a giant vacuum cleaner to save the plows and maintenance workers the trouble of having to clear the streets.

So that’s what the zoom-in shot of his carpet looked like when he rolled the Dyson over it every weekend, back and forth, perfect mountain peaks zigzagging across the living room until BeBe put her little foot into the middle of it or, giggling, spilled her legos across the floor. Snow floating up into the sky, leaving behind cracked gray pavement: Dust and hair from the week floating upward into the tank, leaving smooth gray carpet.

Music of the Write: “Brand New City” by Mitski

I’m late to the Mitski party, but “Brand New City” came on my Spotify radio, and it struck a nerve in my writing — so much so that I added it to my “untitled fantasy bounty hunter story” playlist. But here’s the thing: I interpreted the lyrics differently than I’m sure they were written.

“My brain is rotting in places / I think my heart is ready to die…Honey whatcha take, whatcha take, honey look at me, tell me what you took, what you took…”

On the third listen — this time detached from the project I was thinking of — I realized that “whatcha take” refers to drugs: What drug did you take? What’s in your system? Do we need to pump your stomach?

But the first two times I heard it, I was in such a headspace with this potential fantasy story (as well as my current Dungeons & Dragons character, the undying warlock Axiom Thorne) that I heard them as “What did you take from me that’s making me fall apart now?” It’s a little Dorian Grey: The narrator is disintegrating, and she’s quite convinced that some asshole stole the Grimmoire or relic that has sustained her for so long.

Again, probably not Mitski’s intended meaning, but it fits this potential project…

Character sketch: Damsey Lemonwax

“And who are you?”

The bounty hunter glowered at her from where she slouched in her chair, legs flopping out wide like an abandoned rag doll.

“Um, Damsey,” the defector said. “Damsey Lemonwax.”

“What kind of name is Damsey?” The bounty hunter’s partner asked gruffly, even though as his eyes flitted back to his friend, Damsey recognized a spark of hope in the purple irises — he wanted to impress this woman.

“Short for Damselfly,” Damsey sputtered. “M’parents were lunatic hippies who never once thought what a name like Damselfly could do to a woman trying to gain respect on a factory line.

Memories of Coop, Wren and Bernard played in her peripheral vision like old movie clips projected on the walls — how they’d used a black marker to fix her name tag on her first day. Some of the more senior workers were mean sonofabitches, Wren had said, and the less she gave them to pick on, the better off Damsey would be.

Truth was, it was never going to be her name that made her notorious in the factory. Cursed with Diligence, Damsey couldn’t help but work five times faster than any other mechanic on the floor, first resetting tooling kits, then screwing on wiring spacers, then wiring entire fuselages. She was one of four other employees who had the unseen talents that having the set of magical gifts that Diligence brought: fast hands, perfect working rhythm, an eye that caught and brain that fixed what few defects she made.

Coop begged her to pull back, to coast. He said she was only going to make things harder on herself if the managers noticed. But Diligence doesn’t defer, and the more Damsey tried to slow down so she could blend in with the other workers, the more it seemed her “Gift” made itself known.

Of course, once management recognized that they had yet another worker with Diligence, they fired the other three electrical mechanics and made her work her line alone — with a mere $3-an-hour bump in pay.

“It’s really unfair,” she sighed into a stale turkey sandwich one day at lunch.

“Tell that to the three people you got fired,” growled Bernard, who had long since stopped being her friend, if he ever was to begin with. “I’m sure they find it unfair, too. Last I heard, Porcupine Cubbins was seen sitting with an upturned hat outside The Union, busking for change with that shitty ukulele of his.”

The word union bounced around Damsey’s head for a bit before it implanted itself in her brain.

“A union isn’t a bad idea,” she said quietly, knowing that the managers liked to walk around the lunchroom specifically to squash any talk of organizing. “If we got everyone to unionize, we could get better pay, better benefits. Make them hire more people. Just because the four of us have Diligence doesn’t mean we should be doing the brunt of the work without better pay. And we could use our strength to get everyone else better comp and conditions, too. You saw Margaret’s foot yesterday after that accident.”

“Gnarly,” Wren agreed, face twisting almost as grotesquely as Margaret’s toes. “But what if no one joins us? We’re not exactly the favorites of the factory. They let go Bob’s best friend and his sister-in-law because of me.”

“That’ll be part of our conditions,” Damsey said. “We’ll make them rehire the people they let go at twice the rate. Otherwise we’ll stop working.”

Damsey never got that far, though. The first informational meeting for their closest friends on the factory floor went without a hitch — 29 people crammed into the back room at McGowan’s to hear what the Diligents had to say. But something happened in between that first meeting and the first day they planned to picket the drive before their shift, and Damsey had gotten pulled into the managers’ office and given a stern warning.

She didn’t heed it. She didn’t heed the next one, either. Turns out that Diligence didn’t just make her fast at her job. It also made her stubbornly committed to her cause.

“So that’s how your hand got broken?” The bounty hunter nodded to her bubblegum pink cast.

“Yeah,” Damsey shrugged. “Something like that.” She tugged the sleeve of her blue jumpsuit as far over the cast as she could. Coop had signed it with his one good hand before they went their separate ways, as far away from the factory as possible.

“Well, kid,” the bounty hunter’s friend shrugged.

“Don’t call me ‘kid,'” Damsey snapped, a reflex from her factory line days.

“Jeez, sorry,” he said. “You in with us or not? We could use someone with your, er, expertise.”

“Depends,” Damsey said, wiggling the one left finger that still worked. “What’s the pay?”

Music of the Write: “Shutter Island” by Jessie Reyez

I saw Vogue included Jessie Reyez in their list of “Bright Young Things: 2020 Rising Stars” and was reminded of how important her debut single, “Shutter Island,” has been to formulating a number of characters.

“For a second I forgot I was a bad bitch. Begging you to stay became a habit” — that’s Axiom (whom you’ve met), as well as Pru to some extent, and a new character I haven’t published here yet. Of course, I realize that it’s also me: A fact I’m grappling with while also reflecting on a number of other things about my love, professional and creative life at the moment…

Axiom Thorne: Before there was Ansel

I’m sure by now you’ve inferred that I got my warlockian powers just in time for Ansel to mysteriously disappear from the landscape of my life. You forget: I’m the one painting this picture, and it’s not a landscape, but a self-portrait, which means you get to see exactly what I want you to see the way I want you to see it.

If you squint and look past the last layer of oils I smeared on the canvas, you’ll see another figure. Stephan, the baker’s boy. He was beautiful, and he hated me.

No, that’s wrong. He liked me, but in the way you like having an old scab ready to pop off the skin: Something to pick at.

If it wasn’t tripping me in the mud, it was baking pine needles into a cookie that he slipped into our weekly order with a note that said “For sweet Axiom, Love S.” Mamma said it was because he liked me. I still say it was because he was an asshole.

But the thing about picking at scabs is that you eventually peel off all the crusty, curling skin and hit fresh flesh underneath. And when you do, it bleeds.

We were playing along Bounty’s Creek. “Playing” might be the wrong word, as my version of it was watching Stephan pluck tiny fish out from the shallows and place them on rocks to flip, flop and bake in the hot sun. I was entranced, not repulsed, by the way the light glinted off their scales, almost strobing as they danced away their last breaths. But Stephan couldn’t care less, sweeping the dead bodies back into the water to make room for his next victims. Whenever he’d pivot around, the light would flash off the gilded viper fang that hang around his neck — a trophy from a kill, he’d boast, even though we all knew it was purchased off one of the roving traders that came through town.

I must have stepped on a twig or sneezed, because at some point he noticed me standing in the brush, a voyeur to his routine pescacide.

“Freak,” he spat at me, the one word stinging my ears.

Says the boy killing fish for fun, I now wish I had retorted.

This was about two weeks after I had first encountered the Man in the Scarf and Diamond Shoes and he had tapped me on both cheeks and told me I was magic. The tattoo on my ankle at that point looked like a couple of overgrown freckles.

So how was I to know that Stephan had said the magic word?

Just after the last fish on the rock flipped its last flop, the sun grew dark, as if a cloud had crossed it. Looking up at the brilliant blue sky, I saw instead that a mass of dark speckles had gathered above us.

Stephan let out a loud swear, and I turned to see if he was looking at the sky, too. Instead, his eyes were trained at the ground, where it looked like a landslide had started at my feet, slipping down the bank towards him. Upon closer inspection, however, it wasn’t dirt but thousands of gleaming beetles clamoring over each other to get to the water. But then I realized the water wasn’t their target.

The baker’s boy didn’t dance like the dying fish. Instead, he screamed, and the bugs from above funneled into his open mouth while the bugs from below coated his skin. It was funny, really, watching a once-human body become a wriggling mass of black exoskeletons clicking and clacking against each other. Once they had had their fill, they collapsed to the ground and skittered away into nothingness.

I stepped to the edge of the water. There wasn’t even a smudge of flour where Stephan had been standing, as if the beetles had just carried him away. But there was one thing: a sliver of something shiny poking out from the silt, just past where the water lapped against the shore. It was the gold viper fang from around his neck, still attached to the chain.

Plucking it from the muck, I polished it on the hem of my shirt. Without a look back, I trudged up the bank to the high road as I clasped it around my neck.

“These are my roaring, roaring 20s”

He looked like John Mulaney, and I kissed him — not at midnight on New Years, but sometime around 12:38 a.m.

At least, I think he looked like John Mulaney. That could have been the gin martinis making my eyes thirstier. He was taller than me, even when I stood out like a sore toe in a thigh-high stiletto boots, and had the same long, 1940s face with the added charm of a small gap between his front teeth. Dark V-neck sweater. Clear liquor in a glass. Can of Red Bull because he asked the bartender for it. A medical degree in the works.

I though he was named Ken and from Philly, but when he gave me his number, learned he was actually named Phil and from Kentucky. Blame the gin and the number of times he twirled me around the dance floor like it was 1920, not 2020.

That’s what happens in a time machine. Through a subtle entrance sandwiched between a CVS and parking garage, down a flight of stairs, and we had slipped a century away. A big band greeted us from the main stage upon our arrival. Charlie Chaplin illuminated the library wing as a woman swung from a suspended hoop behind a popcorn vendor in plum brocade. Tasseled burlesque dancers performed behind crimson curtains in another side room. The stage was flanked by “Adults Only!” peep show nickelodeon boxes — dip your face into the viewing window and see Mae Dix slide off her stockings. Lift your face up, and three women in beaded flapper gowns might tickle your nose with their cigarette holders as they pass by, balancing delicate coupe glasses in their silk gloves.

Follow one of those women, and she was likely to lead you to the barber in a black vest and wax mustache, prepped with a straight razor and cream for any lady who’d like to get the closest leg shave imaginable while reclining in a chair in the middle of the main dancefloor. Exhibition at its finest, as the women would tilt their heads back with a smile, drop-pearl headpieces dangling in the light, as the barber ran the blade up their shins (though never past their knees).

At 1:30 a.m. the overhead lights came on, reminding us that we had rung in 2020 and had to return to the world of rideshares, drunken text messages, braggadocio Instagram posts, disposable fashion, Monster energy drinks, microwaveable breakfast sandwiches, scheduled blog posts, Netflix accounts, Venmo requests, yoga classes, allergy pills, teeth whitening, chipped nail polish, and Lululemon merchandise exchange lines. I had lost track of Phil from Kentucky — or was it Ken from Philly? — and had gained clear consciousness of the pain in my feet from five solid hours of dancing.

One 30-minute Lyft ride in a Nissan Altima, and I was home, about 10 minutes from the speakeasy supper club on a normal night, ready for the roar in my ears to subside for just a few hours so I could get some sleep and start 2020 well-rested and ready to dance the nights away all over again.

A flapper in black and pearls sits in a barber’s chair in the middle of a club dance floor as a 1920s-styled barber shaves her legs.

A flapper gets her legs shaved at Untitled Supper Club’s “Bootleggers Ball” on New Years Eve 2020

Music of the Write: Top 5 Songs of 2019

Short entry this week to make room for my longer piece next week. This year I listened to a lot of music, discovered myriad new artists, and wrote a ton while doing both. Check out the top songs I found helped the words fall out this year:

*Note that these are songs I found this year, not necessarily released in 2019.

1. “Blood // Water” by grandson.

Call this the biggest find of the year: Jordan Edward Benjamin, aka “grandson.” “Blood // Water” isn’t my favorite of the political chainsaw rock-tronic he produces, but it resulted in the final action scene of Nobody’s Hero and acts as soundtrack to our Dungeons & Dragons Byssia campaign.

2. “Prophet” by King Princess

To be fair, King Princess’ entire Cheap Queen album was a lifesaver this year. While Lizzo’s music is killer for an explosive breakup, King Princess explores the other kind: those that fizzle out so slowly that no one notices until something extraneous happens that puts things into perspective. “Prophet” made this list because I recently added it to the playlist for a book I’ve struggled to write for seven years now — maybe 2020 will be the year I find inspiration thanks to Mikaela Mullaney Straus.

3. “Succession Main Theme” by Nicholas Britell

Find me one writer who didn’t become obsessed with Britell’s score for HBO’s dynastic drama. Seriously, I fell in love with Succession‘s theme before I saw a single episode of the show. With string blasts akin to Junkie XL’s “The Red Capes Are Coming” from Batman vs. Superman, the show’s theme is the perfect march for a pissed-off protagonist or acid-minded enemy (both of which you’ll find in the Roy family).

4. “All for Us” by Zendaya

Another HBO show find, this one pairing Labrinth with Zendaya for the song that ends Euphoria‘s first season. That show is a treasure trove of tune, including one of the first major uses of Billie Eilish and “Bubblin’,” an Anderson .paak bop that almost made this list. But “All for Us” comes packed with genre-crossing drama: soundboard aesthetics, Zendaya’s silky-to-raw vocal range, and a heart-stopping choir that carries everything on its shoulders.

5. “Honky Cat” by Elton John

“Honky Cat” was always a song that existed, but not one that I put much thought behind until hearing it in a new light in June as part of Rocketman. Everything about it is Elton, who was one of the first voices I recognized on the radio (my favorite song at age 4 was “Crocodile Rock”), and since then has been an enticing enigma of a person who finds a way to surprise me every year when I find another song from his library. Last year’s Elton Discovery was “All the Girls Love Alice,” and 2017 was “This Train Don’t Stop There Anymore.” With seats at his Chicago show in June, who knows what 2020 will bring?

Honorable mentions: “bellyache” by Billie Eilish, “The Chain” by The Highwomen, “Every Time I Hear That Song” by Brandi Carlile, “Pretty and Afraid” by Jidenna, “Doin’ Time” by Lana del Rey, “I Love Me” by Nikki Lynette, “Standards” by Leslie Odom Jr.

What songs inspired you this year?