Music of the Write: “Warriors” by League of Legends, 2WEI and Edda Hayes

Imagine Dragons’ “Warriors” was already built to be an epic theme. It launched at the League of Legends 2014 World Championship and was later used as the theme for WWE’s Survivor Series. I’m also certain it was one of the original songs I used when writing Omaha back in 2018.

It’s hard to believe it can get any more heart-pounding, adrenaline-pumping, fight scene-inspiring than that, but it can. Just add trailer music mavens 2WEI — responsible for the Tomb Raider reboot’s take on Destiny Child’s “Survivor” and the orchestrated cover of Coolio’s “Gangsta’s Paradise” for the Valerian trailer.

This month I’m going to use the remainder of Illinois’ stay-in-place order to complete a book that came to me while listening to this version of “Warriors,” which means it’ll be on heavy rotation. I’m particularly envisioning a scene where a house implodes under the weight of very dark magic, and another where our witchy heroine has to face the “friend” she accidentally banished into a tiny stationery box so they can help her combat forces trying to end the world.

Music of the Write: “The Night Window” by Thomas Newman

If, like me, you’ve thought back to what life was like this time last month before an official pandemic required us to self-isolate, here’s what I was doing: I went to see the last movie I would see in theaters for a while, 1917. I know, about two months later than the rest of the cinephile world — but it was well worth it, as I can’t imagine seeing the film on a smaller screen and being as captivated by it. I was so tense and emotionally invested that the guy I was with at one point put his hand on my shoulder and asked if I was OK.

The truth was, I was more than OK: I was euphorically swept up by every artistic detail of the movie, as graphic and grueling as it could be.

Thomas Newman’s entire score is fantastic, but one song in particular has fueled my writing as of late. “The Night Window” comes early on the album and escalates to a heart-stopping swell. I lost track of how many times I repeated it last week while working on the next installment of Axiom’s backstory, and it’s earned a permanent place in my “Random Writing Music” playlist.

Music of the write: “Vampire Money” by My Chemical Romance

If there was ever a way for an emo band to scream itself into silence for a decade, “Vampire Money” is it. As the final track on Danger Days: The True Lives of the Fabulous Killjoys, the song acts as a farewell from My Chemical Romance — one that would seem permanent (if you don’t count the B-sides they released separately over the next year) until this year when they announced their reunion tour.

“Vampire Money” was nowhere near my favorite song on the album when. I was working on my screenplay for an Adaptation of Literature for Film class I took shortly after the album came out. But in the years since, I’ve been possessed with its David Bowie references, head-banging beat and guitar solo that begs to be taken on its back. And now it’s on constant rotation in a number of my writing project playlists for its adrenaline-coaxing quality.

Music of the Write: “Brand New City” by Mitski

I’m late to the Mitski party, but “Brand New City” came on my Spotify radio, and it struck a nerve in my writing — so much so that I added it to my “untitled fantasy bounty hunter story” playlist. But here’s the thing: I interpreted the lyrics differently than I’m sure they were written.

“My brain is rotting in places / I think my heart is ready to die…Honey whatcha take, whatcha take, honey look at me, tell me what you took, what you took…”

On the third listen — this time detached from the project I was thinking of — I realized that “whatcha take” refers to drugs: What drug did you take? What’s in your system? Do we need to pump your stomach?

But the first two times I heard it, I was in such a headspace with this potential fantasy story (as well as my current Dungeons & Dragons character, the undying warlock Axiom Thorne) that I heard them as “What did you take from me that’s making me fall apart now?” It’s a little Dorian Grey: The narrator is disintegrating, and she’s quite convinced that some asshole stole the Grimmoire or relic that has sustained her for so long.

Again, probably not Mitski’s intended meaning, but it fits this potential project…

Music of the Write: “Shutter Island” by Jessie Reyez

I saw Vogue included Jessie Reyez in their list of “Bright Young Things: 2020 Rising Stars” and was reminded of how important her debut single, “Shutter Island,” has been to formulating a number of characters.

“For a second I forgot I was a bad bitch. Begging you to stay became a habit” — that’s Axiom (whom you’ve met), as well as Pru to some extent, and a new character I haven’t published here yet. Of course, I realize that it’s also me: A fact I’m grappling with while also reflecting on a number of other things about my love, professional and creative life at the moment…

Music of the Write: Top 5 Songs of 2019

Short entry this week to make room for my longer piece next week. This year I listened to a lot of music, discovered myriad new artists, and wrote a ton while doing both. Check out the top songs I found helped the words fall out this year:

*Note that these are songs I found this year, not necessarily released in 2019.

1. “Blood // Water” by grandson.

Call this the biggest find of the year: Jordan Edward Benjamin, aka “grandson.” “Blood // Water” isn’t my favorite of the political chainsaw rock-tronic he produces, but it resulted in the final action scene of Nobody’s Hero and acts as soundtrack to our Dungeons & Dragons Byssia campaign.

2. “Prophet” by King Princess

To be fair, King Princess’ entire Cheap Queen album was a lifesaver this year. While Lizzo’s music is killer for an explosive breakup, King Princess explores the other kind: those that fizzle out so slowly that no one notices until something extraneous happens that puts things into perspective. “Prophet” made this list because I recently added it to the playlist for a book I’ve struggled to write for seven years now — maybe 2020 will be the year I find inspiration thanks to Mikaela Mullaney Straus.

3. “Succession Main Theme” by Nicholas Britell

Find me one writer who didn’t become obsessed with Britell’s score for HBO’s dynastic drama. Seriously, I fell in love with Succession‘s theme before I saw a single episode of the show. With string blasts akin to Junkie XL’s “The Red Capes Are Coming” from Batman vs. Superman, the show’s theme is the perfect march for a pissed-off protagonist or acid-minded enemy (both of which you’ll find in the Roy family).

4. “All for Us” by Zendaya

Another HBO show find, this one pairing Labrinth with Zendaya for the song that ends Euphoria‘s first season. That show is a treasure trove of tune, including one of the first major uses of Billie Eilish and “Bubblin’,” an Anderson .paak bop that almost made this list. But “All for Us” comes packed with genre-crossing drama: soundboard aesthetics, Zendaya’s silky-to-raw vocal range, and a heart-stopping choir that carries everything on its shoulders.

5. “Honky Cat” by Elton John

“Honky Cat” was always a song that existed, but not one that I put much thought behind until hearing it in a new light in June as part of Rocketman. Everything about it is Elton, who was one of the first voices I recognized on the radio (my favorite song at age 4 was “Crocodile Rock”), and since then has been an enticing enigma of a person who finds a way to surprise me every year when I find another song from his library. Last year’s Elton Discovery was “All the Girls Love Alice,” and 2017 was “This Train Don’t Stop There Anymore.” With seats at his Chicago show in June, who knows what 2020 will bring?

Honorable mentions: “bellyache” by Billie Eilish, “The Chain” by The Highwomen, “Every Time I Hear That Song” by Brandi Carlile, “Pretty and Afraid” by Jidenna, “Doin’ Time” by Lana del Rey, “I Love Me” by Nikki Lynette, “Standards” by Leslie Odom Jr.

What songs inspired you this year?

#NaNoWriMo 2019: What to do when you don’t have a plan

In my latest weekly post, I teased a character I had been working on for a while and was thinking of using for whatever I end up writing during National Novel Writing Month. When I posted it on Twitter, a friend from college responded, saying he was inspired to try his first NaNoWriMo but wasn’t sure what to know going in.

I responded with a couple 280-character tips: Have a network, set up a daily word count goal, tune out the editor in your head, etc. Anything you’d find on a typical writer’s blog.

But then I started thinking: What if you don’t have any plan whatsoever? How do you do NaNoWriMo when you have no concept of what the story is, who the characters are, and what critical human theme you want to explore?

I started thinking this mostly because, Hello! That’s me this year! And, as a sign from Master Bong Joon Ho himself, I saw Parasite on Sunday (excellent film, go see it), and there’s this monologue that’s gripped me since I walked out of the theater:

You know what kind of plan never fails? No plan. No plan at all. You know why? Because life cannot be planned…You can’t go wrong with no plans. We don’t need to make a plan for anything. It doesn’t matter what will happen next.

So in that spirit, here’s what I came up with if you’re facing Nov. 1 without any idea what to write but the egotism? courage? stupidity? to want to get to 50,000 words by the end of the month anyway:

1. Build the story around stuff that’s happening in your actual life. Have a croissant and coffee for breakfast? Your main character did to. What were you daydreaming about while waiting for the barista to hand you said croissant and coffee? Imagine that happened — a homeless man went sprinting through the Starbucks and dropped a weird metal piece on the floor, not turning around to pick it up because there’s three alien-looking dudes chasing him, leaving puddles of slime behind them. But then one of them turns and looks at you, and signals that he wants your croissant, and you (rather, your main character) is now part of the story. OK, now what happened? You’re easily at 2,500 words after describing the scene. Only 47,500 more to go!

2. Pick a two-word name for your main character. Every time it gets mentioned, you’ll be two words instead of one closer to that 50,000 word count goal.

3. Be super descriptive of everything. What music is playing? What does the coffeeshop smell like? Is the croissant crusty, or does it give a little in its paper baggy? What does the barista look like? Multiple hair colors are a plus because they take up more words.

(Spot the trend yet?)

4. Spell out the chapter titles. That’s two words each time you break. Might as well make chapters pretty short, then.

5. Everyone your character talks to on the street has a dog. Describe it in full. More words!

6. I’ve started putting allusions to pop culture into my work when they make sense. Do the same thing. Find a great song to write to when describing what happens when your character finds out that the metal part they absconded with from the coffee shop while the alien was munching on the croissant is actually the key to a spaceship that landed in the dog park across the street. Then have it playing on the character’s earbuds or something, and toss in some of the lyrics to boost your word count.

7. Stuck on a battle scene? Write “They fight” and follow it with little bullet points of things that might happen. Then highlight it bright yellow so you can find it later when you have a better idea (or just need to bite the bullet and write it). My first NaNoWriMo project literally had “Zombies attack” written in the middle of the second chapter because I wanted to get on with the story instead of focus on action scenes, which I hate writing.

8. Which brings me to my last piece of advice: Write something you LOVE! OK, so maybe you’re gluten free and can’t eat croissants for breakfast, and the thought of having to write about an alien species for a whole book makes you cringe. Find something else to explore and enjoy. That’s what NaNoWriMo is all about: playing and having fun with words. We just do it really fast, and really intensely. It’s like a month-long sprint, and we all end up stronger for it in the end.