Axiom Thorne: Waking up on the Reiver

The Reiver. Morning’s first light.

Captain Whatshisname — Everwick, as it turns out, now that the wine fog clouding my brain has dissipated — is far from the first man I’ve fucked, but he is the first one I’ve shared a bed with. Darvin always retired to his own pallet inside the closet, and Ansel and I spent nights out in the woods, curling into each other on top of soft mud or leaves rather than sheets and a down mattress. Everyone else has been a passing thrust in the dark corners of bars or alleys, and that’s how I like it. It gets the job done without any risk of attachment.

I probably wouldn’t have stayed all night on the Reiver if it hadn’t been for Everwick’s blunt warning as he stood from his chair, wrapping his own colorful striped scarf around his neck, all debonair-like. It’s a scarf just like mine, given to him by a figure who sounds suspiciously similar to the Man with the Colorful Scarf and Diamond Shoes.

“Everyone I sleep with dies,” he had said. I expected him to smirk. Instead, he was stone-faced, the only movement on his face a wisp of hair caught in the sea breeze.

That makes two of us, I had thought, remembering Darvin’s screams as the dragon ground his body between its teeth. I didn’t know what had happened to the handful of others after they had slipped in and out. They were dead in those same bars and alleys, for all I knew. As for Ansel: His fate was worse than my own death. But I haven’t told you all of that yet.

“Everyone dies,” I had shrugged.

“Horrible, agonizing deaths,” Everwick countered.

Sounds fun, I had almost said, but he was walking away now, his scarf catching the wind and snapping like a sail. I wasn’t sure if I was meant to follow, but I did — it would be easy to blame it on my ego, as my shipmates were back at the Hydra, probably taking bets on how long I’d be, but I’ll admit that there was something about Everwick that was irresistible to me. Maybe it was the idea that he was a kindred spirit, a warlock locked in the same war with the same devious patron.

An open door awaited me; and an open door shut behind me as soon as I crossed the threshold into Captain Everwick’s chambers.

It did flit through my mind that if he hadn’t detected the obsidian trilliant hidden literally inside my chest as I stood before him in my armor, he might certainly notice it once I was lying flat on my back, undressed and unguarded. But as things had progressed, it became clear that finding the match to the black stone he had brandished before me on the deck was the furthest thing from his mind now that I was in his bed. And eventually it was just as far from mine, too.

I wake up to soft light filtering into the ship’s cabin. Everwick is still asleep, his arm draped over my waist. His hand is disturbingly close to where I inserted the trilliant into my chest, and I swear I feel it beating against my bones with longing to meet its companion, which I had last seen disappear into the captain’s fist. Or maybe it’s just my heart, fluttering through feelings of fear, dread, ecstasy and…no, just those three. Nothing more concrete, and certainly nothing to do with having any sort of feelings toward the man lying in bed with me.

Even without prior experience of sharing a bed with someone, I know I can’t move his arm without waking him up. So I shift and turn into him, smelling the salt on his skin. It’s different than Ansel’s dried leaves and spice scent — fresher, and metallic with Adrenalin. In some ways I like it better: It’s the scent of someone who’s trying to pretend he’s chasing something, rather than being chased. The trilliant in my chest beats harder.

I close my eyes, tempting sleep to come back to me. The window isn’t bright enough for it to be much later than first-light, and the crew of the Hydra is probably still sleeping off the drinks from the night before. They won’t miss me.

Just as I’m about to doze off, Everwick begins to stir. His arm tightens around me and pulls me closer as he murmurs, “Still alive?”

“As far as I know,” I say, my breath warming his cool skin. “Did you want to sleep with me just to see if I would survive?”

The logic makes sense — if it is indeed our shared patron killing off our lovers, it stands to reason the Man (or, in Everwick’s case, Woman) in the Diamond Shoes wouldn’t kill both his magical servants just because they fucked each other. It seems like a morbid form of forced matchmaking, but after experiencing Everwick’s prowess in bed, I won’t complain.

“What if I say yes?” Everwick asks, a mischievous grin cutting through his morning stubble.

“Then I’d say you’re smarter than I thought,” I say, pushing him over on his back so I can straddle him. “Or at least more pragmatic.”

“Thanks, I guess?” he says, pulling me in for a kiss. I oblige for as long as I feel like before getting off him, getting off the bed, and snatching my breeches from the floor.

His stare almost wills my clothes out of my hands, but I don’t capitulate. Once I’m back in my armor of snakeskin, metal, and colorfully striped wool, I’m at the door.

“Until next time?” He asks.

“Who says there’s a next time?”

“Your whip does. You left it on the chair.”

I didn’t do it intentionally, but protesting that fact would only convince him that it was a scheme to be invited back. Once I secure it to my hip, I go straight to the door. The creak of the bed indicates that Everwick is just a few steps behind me, and before I can open the door, his hand pushes it harder into the jamb.

“Don’t tell her, er, him — them — about this, will you?” Everwick asks. It’s a plea, not a threat. “I haven’t spoken to them in 30 years, and now isn’t a good time for a reunion.”

“I promise,” I say, and I mean it. I don’t feel like looking into the leering face of the Man with the Diamond Shoes today — or possibly any day after this.

I leave without a kiss goodbye, but I feel Everwick’s eyes on my back as I walk up to the deck. Out of his gaze, I smile into the wind while passing his gold-cloaked crewmates on my way off the ship, and it’s a grin that stays in place all the way back to the Hydra’s gangplank. In my private glee, I forget to take the tiny step up on the platform and find myself sprawled out on my belly, facedown on the walkway.

As I start to push myself up to my feet — face warm with the sting of embarrassment and palms warm with the sting of several splinters — my eyes catch on my own reflection, shining back at me hundreds of tiny times from a man’s jewel-encrusted boot planted just inches from my face.

“Have something to tell me, Axiom?” His gravel voice asks. I bring myself to my feet, pushing his helping hand away. My arm goes right through him, but he’s still standing there.

“Yeah,” I say. “Leave me alone.”

I walk through him and up toward the ship. The trilliant in my chest beats hard.

Axiom Thorne: Invitation to board the Reiver

The folded piece of parchment is heavy as a stone in my pocket and twice as conspicuous. Standing on the deck, swaying as much from drink as from the swells of the waves under our feet, I feel everyone staring at it, thinking about the three-word invitation scrawled across it: “The Reiver. Midnight.”

How Captain Whatshisname found time to procure a quill, ink and piece of parchment in the short seconds following Scarlet and my intrusion upon his table was still baffling, and in turn it made the entire situation feel even more suspicious. Everyone’s acting like this is some coy invite to an amorous tryst, and while I’ll be the first to admit that nights on the Hydra have been lonely — particularly since Darvin’s betrayal and subsequent death in the jaws of a dragon — I’ll be the last to walk my horny ass into a honey trap.

That said, Captain Blonde-Beard was enough to make me forget Darvin. He was almost enough to make me forget Ansel, had it not been for the fact he has the same eyes: The color of forget-me-nots, as poetically trite as it sounds.

The first night I spent with Ansel was in the same woods where I killed the Baker’s Son — not that Ansel would ever know that. The muddy bank squelched under us, but it was as soft as any mattress, and it wasn’t like we had come there to sleep, anyway. As we watched the sun rise over the trees the next morning, Ansel jumped into the river to wash off. I would have followed, if not for the tight grip of a hand around my wrist.

“You can play with him, but your still mine,” growled a voice like gravel tumbling in a barrel. “And we have work to do.”

The Man with the Diamond Shoes didn’t leave a footprint in the mud as he left, and Ansel didn’t notice anything strange when he pulled himself halfway onto shore so he could tug on my ankle to invite me into the water with him.

“Five minutes to midnight,” Yalma squawks above me, circling and landing on her captain’s shoulder.

If I plan on making the rendezvous, I should disembark and walk across the docks to Captain Whoknows’ ship. From here I can see The Reiver, two stories taller than ours and draped in sails of regal purple, bobbing on the light waves. The rhythmic motion of it riding up and down, up and down, conjures thoughts in my head that make my toes curl inside my boots and fingers tighten around the whip coiled at my waist.

The wariness of what awaits across the docks hasn’t left me, but I can’t let the crew know that. So I turn, give an impish smirk as I pat the whip at my hip, and take my first step off the boat, knowing that even if my crew mates stay on the Hydra, there’ll be someone keeping an eye on me.

Axiom Thorne: The first night on The Hydra

No new statue on the bow was going to fix the fact that this ship was being run by our ragtag team of misfits. We scrubbed it clean, loaded new cannons, relettered its name “The Hydra” on the side in silver that tarnished on contact with the salty air, and yet it was just the same as our former vessel — the one that had carried its crew to a port for us, and a grave for it.

The traitor Darvin was long dead, swallowed by a monster in a cave. I did not grieve him, no matter how Captain Urto anticipated my heartache. It was futile to explain that Darvin held not a single string of my heart, no matter how many nights he retired to my quarters. He was merely a filling for the one I had left behind; the one who had forgotten me long before I found myself afloat on the tenacious sea.

Now something else had taken Ansel’s place — a stone, cold and black and powerful, sent by the Man with the Colorful Scarf and the Diamond Shoes. It was possibly the greatest gift he had bestowed upon me, though I did not yet understand why.

The first night aboard the Hydra, I nestled within my bedsheets, still musty with dust and dried sage. The lamplight swayed with the ship, dancing to the tune of waves lapping against its sides and my heart beating against the black gem implanted within it. Here in the quiet, however, thoughts of Ansel started oozing from the cracks between animal and mineral, and I was awash with the memory of his eyes looking at me curiously, wondering who I might be as I cried in self-pity at the foot of his bed.

My eyes shot open, hoping the dark ship wall would save me from the vacancy of his face and the weakness of my past. And they might have, had Ansel not been sitting at the foot of my bed now, his eyes twinkling with recognition.

“I miss you, my love,” he said, smiling that crooked grin that made my insides turn to gelatin. Even the black rock in my chest became jam more than gem.

I lunged forward without thinking, hoping his arms would catch me like they always had, and instead slammed my face into the wall. Ansel was gone, replaced only by a knock from the other side and Azha’s half-concerned, half-annoyed, “Everything OK in there, Ax?”

“Fine,” I said, unsure if the tears in my eyes were from the pain blossoming outward from my nose, or from the memory of my greatest failing.

Axiom Thorne: The Crestbalm Fete

It was all my aunt’s idea, sending me in my mother’s wedding dress dyed with indigo I had collected from the riverbank. She proudly presented this plan to us while showing off one of three gowns she had just commissioned from The House of Raheem in Dragon’s Head.

The dress has been stored in her attic since my father had died — Mamma had asked her sister-in-law to take care of it, as we needed the extra closet space for my clothes now that they no longer fit in the little prayer chest at the foot of my bed. My aunt had grumbled and eventually obliged by shoving the dress in a crate. I can only assume that’s where it had spent nearly 12 years when she drew it from her wardrobe. In no way had the the wrinkled mess been hanging there for longer than a couple days.

“You’ve got the same stick-straight boy build as your mother,” she said, lifting the creased fabric up to me. “Just add some beads and use some of those flowers from behind the house to dye it, and it’ll be a whole new dress.”

“That should be fine, thank you,” Mamma said, our eyes locking as I dared her to laugh and she dared me to spit in her sister-in-law’s eye. Neither of us felt confident enough to do either, so we shoved as many scones from the tea tray into our pockets before gathering the dress and bidding my aunt farewell.

The Crestbalm Fete arrived a week later. Ansel arrived at the door in his oldest brother’s best suit, clutching a bouquet of forget-me-nots in his hand. They had gone limp from the heat in the air and the sweat from his palms. As my mother hugged me goodbye, I saw the blueish-purple under her fingernails and remembered that it would likely be another three weeks before they were cleaned from the memory of late nights filled with stinky dye and strained eyesight.

Mamma’s alterations had turned her simple white wedding gown from a heavy bundle of wrinkled satin to an indigo dress so light that it almost floated. The four layers of skirts we removed were now blanketing our beds — a luxurious addition to our tiny boudoirs — and the final one hovered gently on the breeze, tickling my legs as Ansel took my hand in his and led me down the street toward the village square where the annual striped tent had been erected, its walls draped with vines and fragrant flowers.

Gardenia Smote and Louie Berenger met us at the mouth of the tent, inviting us to their table. I knew they liked Ansel and more-or-less tolerated me, but compared to the many others whom Ansel called friends, they were far more tolerable. Louie once threw a rock at the baker’s boy for calling me a slug when we were six, and Gardenia made a fuss over my dress and how she far preferred it to the fuchsia organza gown she had inherited from her sister.

We were hardly the only girls there in a hand-me-down or makeshift dress. In fact, those who had new gowns from the Dragon’s Head fashion houses or even Porfery’s Emporium in town were mocked behind their backs for their extravagance. Who would spend a single gold coin, let along fifty, on a dress for our tiny town’s annual fete? In this way, the Crestbalm Fete every year saw the same dresses, suits and robes swirling around different bodies.

Ansel had just returned to our table with two glasses of sparkling wine when the tent dimmed and the center of the room illuminated to reveal Mayoress Andreu in periwinkle taffeta that glistened against her red tiefling skin. She wasted no time in launching into the speech she likely gave every year.

“In Crestbalm we have a saying, ‘The fete is the future taking flight,'” her voice lilted, almost in song. Her gossamer wings unfolded, glowing in the magical spotlight. “And what a beautiful future, indeed!”

With one pump of her wings, she launched into the air and disappeared with a crack. The tent relit itself, and a band no one had noticed before began playing soft dinner music as waiters delivered platters of chicken, potatoes, carrots, greens, waffles, berries, scones, noodles, spare ribs, grapes, hollandaise-coated asparagus, salmon, quail eggs, and more. Dinner at the fete was traditionally donated, so each table received what their families had worked together to provide. Our table was ladened with Gardenia’s family’s brisket, arugula salad from the Berengers’ garden, corn pancakes cooked and salted butter churned on Ansel’s farm, and Mamma’s signature green tea cakes, and creme d’violete custards that almost matched my gown.

We stuffed ourselves silly, the sauce from the brisket staining our mouths and the green tea cakes crumbling into our laps as we licked the frosting from our fingers. The sparkling wine in our glasses magically replenished, though whether it was at the hand of our wizard mayor or stealth waiters, we weren’t sure and didn’t care to ask.

Doreena Cowl started the dancing by dragging her date to the middle of the floor, and the band took her lead by playing a louder, faster tune. I recognized her pale green dress as the one her sister had worn two years earlier — it was new, then, and those of us still too young to go to the fete had salivated at the notion of wearing something so fancy. Now there were hints of mud stains along the hem, and the left strap kept sliding down Doreena’s shoulder, but it was still as magnificent as the day we first saw it, glittering with the cut glass that encrusted the bodice.

“Pretty, how the light flashes off it,” said Ansel in my ear, and I turned to agree but found myself face-to-face with someone I hadn’t seen in a year.

He hadn’t changed, but the scarf had. When I saw him after my thirteenth birthday — weeks after visiting Hanso Jon in her swamp and almost losing my mother — he had already started creating a new scarf from the magic the stole from others. This one was almost twice as long now as the one hidden under my floorboards from anyone’s eyes and touch but mine. Every time I saw him, it seemed to get longer: Tonight it had four new stripes of burnt sienna, dark mauve, sky blue and light lavender: the same color as Mayoress Andreu’s gown.

“Of course, not as pretty as you,” he said, paternally patting me on the head with his long-fingered hand. “I see young Stephan’s totem came with you tonight, but not my scarf.”

I whipped around, looking for someone, anyone, to be staring at us. In a tent full of 18-year-olds, the grizzled Man with the Colorful Scarf and Diamond Shoes would surely stand out.

“They can’t see us or hear us, my dear,” he smirked. “But if it makes you feel better, we can step outside so I don’t feel like my ass is in your date’s face.”

Sure enough, Ansel was still sitting in his chair, drinking the sparkling wine while emphatically nodding to something Louie was saying. I rose from my place and walked toward the side flap of the tent and into the chilling night air.

“Do you have to appear at every major event of my life?” I asked.

“Only when you don’t bring me along. I see Stephan’s viper fang accompanied you tonight,” the Man with the Colored Scarf and Diamond Shoes tapped the gold totem hanging from my neck — a souvenir from watching Stephan burst into beetles five years before. “I feel dishonored, Axiom. Why not wear my gift, too?”

“It clashed with the dress,” I said dryly.

“Such is the foibles of fashionability,” he sighed, the gravel in his throat rattling ominously. “You’ve probably guessed by now that my gift to you was not given without expectations. I need an apprentice. I can provide the powers and direction, but this body of mine is no longer able to handle as — complicated — of deeds.”

“But I take it mine can?” I asked. In the dark I couldn’t see his face, but I could feel his breath pouring from his mouth and into my face.

“There’s nothing holding you back, Axiom,” he rattled. “The fete means you’ve reached adulthood, independence. Your mother won’t expect you to stay in your little cottage with her any longer.”

“Ansel wants me to marry him,” I blurted.

“You and I both know that’s not true,” the Man with the Colorful Scarf scoffed. “He asked you to the fete; he didn’t propose. Don’t lie to me, Axiom. I always know when you are, and it makes me angry.”

The breath in my face was suddenly cool compared to the heat building around my neck. At first I thought it might be anger, but soon I felt a searing pain against my skin. Reflexively I snatched the viper fang from around my neck and tore it away. My hand stung with the burn even after I had tossed the necklace away into the grass.

“Now,” the Man with the Colorful Scarf said, his words deliberate. “I don’t want to ruin your evening even further. Tonight you should go and dance with your date, and tomorrow I will leave you a little reminder that great things are expected of you.”

And with that, I was alone.

I should have been more incensed that no one had noticed I was gone, but it was hard to feel anything but numb the rest of the night. Every bounce of the light off of a glittery shoe made me wonder if the Man with the Colorful Scarf had returned, and I started seeking out dresses and robes that matched the new stripes on his scarf, paranoid that I might be dancing beside one of his newest victims. Mayoress Andreu was nowhere to be found the rest of the evening.

To combat the cottonmouth feeling, I drank as much sparkling wine as I could — it peppered my mouth and reminded me that I was still alive, still 18, and still expected to have a good time.

When Ansel took me home, his fingers fidgeting between mine.

“I hope you had fun,” he said. “I’m not sure you did.”

“It was a wonderful night. I think I just drank too much sparkling wine, is all.” The words drunkenly tripped out of my mouth.

“Can I kiss you goodnight?” He asked, and suddenly every worry I’d had all evening melted away as I nodded and he took me in his arms.

Everything I had read in books about first kisses pointed to a spark that ignited in your chest, or a hook that pulled you up from your belly. I kept waiting for one of those things to happen — to assure me that this was what I wanted, what I’d been waiting for — but all I felt was warm, wet human lips against mine.

I closed my eyes, thinking maybe that was the issue. It changed nothing at first, and then it became the stuff of nightmares as my mind turned to the Man with the Colorful Scarf and Diamond Shoes, snarling on the inside of my eyelids.

Ansel pulled away gently, and I turned to open my front door. The curtain in the side window shifted just slightly, and I knew my mother was still awake.

“I’ll see you tomorrow Ansel,” I said.

“Tomorrow, Axiom,” he nodded, absentmindedly scratching his bottom lip with his thumb.

Mamma was up, but the lights were off, and I allowed her the pleasure of thinking she had gotten away with watching us from the window by running right past the tiny parlor and up the stairs to my bedroom. Hiking my dress up to my waist, I dropped to my knees next to my bed and started scratching the wood floor for the loose board. A moment later, I had found it.

There it was, the striped scarf. And on the end of it, a new stripe — tiny, barely a hem: Aquamarine, like Ansel’s eyes.

It wasn’t the only new stripe, either. One the color of a blueberry stain; another mahogany. In the years I had left the scarf under my bed, another two feet of material had grown on it, capturing the colors of the magic I had subconsciously stolen from people by accidentally brushing against them in the market or grazing their hand when giving them change or loaning them a quill.

My fingers caressed the tiny aquamarine strip at the end of it. I think I fell asleep praying that it wouldn’t get bigger, even though I knew that Ansel likely had no more magic to give.

The next morning I awoke, suffocating under the heavy satin fabric from Mamma’s wedding dress. The floorboards looked undisturbed, and I wondered whether I had put them back myself the night before — it was hard to recall everything I did with adrenaline and sparkling wine coursing through my veins. As I lifted myself out of bed, a headache pressing behind my eyes, the sun caught a glimmer of something on my bedside table: A golden viper fang on a chain.

Excerpt: A brief description of the Tersus

An excerpt from Magic in Flesh: A Study in Earthly Manifestation by John Fogg:

“The Tersus (from the Latin for “clean”) is a carnivorous creature that in its original form resembles a tangled mass of tentacles that entwine around a tiny void that acts as its stomach. It originates from a small quadrant known as Kushner’s Cove, a pungent area colloquially described as ‘the armpit,’ ‘the ballsack,’ or ‘the Florida’ of the Yoros Dimension.

“However, the Tersus derives its name from its behaviors, rather than its habitat. Although the timeline is murky as the waters of the swamp where it resides, we know that in very recent times the Tersus somehow gained access to a regional television station known as ‘Memorable Television’ (MeTV), possibly by picking it up via aerial signal. It was from what it saw through these signals — primarily sitcoms from the 1950s and 1960s — that it developed its sense of how humans in our dimension function.

“Based on these minimal observations, the Tersus has developed a form of camouflage that it deploys when hunting its favorite form of food: Humans. Similar to an Oblex (see p. 194: ‘Fictional adaptations of real magical creatures’) a Tersus assumes the form of whatever it eats, and the human form is possibly the most practical, or even comfortable, for it to inhabit due to humans’ size and adaptability. By appearing human, the Tersus also gains the benefit of human’s social nature, which allows it to continue coming into contact with others, essentially providing it a literal buffet. Although a Tersus can only occupy one human form at a time, it can remain in a single person’s form for up to three weeks before getting hungry again.

“How can you tell if you’re in the presence of a Tersus? Because its knowledge of its prey is limited to television programs such as The Andy Griffith Show, I Love Lucy, The Dick van Dyke Show, The Brady Bunch, Hazel and an occasional Happy Days episode, its concept of human habitats and behaviors is limited to those it sees in mid-20th century TV-land. It seeks to emulate the most senior, present member of the family unit, which more often than not is the maternal homemaker or housemaid figure of any of these ensemble casts.

“When in our dimension, the Tersus will reverse its pack-rat, slobbish ways in Kushner’s Cove and begin to emulate the Aunt Bea and Laura Petrie by cleaning and maintaining immaculate surroundings. Not a speck of dust or unswept floor will exist wherever a Tersus resides or hunts, which coincidentally gives it away to anyone with the right knowledge and perception. If your slovenly teenager’s room is suddenly sparkling, or your once-messy partner has recently begun obsessively vacuuming your home, you may have a Tersus on your hands.

“While the Tersus’ exact strategy concerning which types of human prey it prefers is still being researched, there are a few clear patterns already being discovered. A Tersus will not eat a magical human, as many could potentially have enough power to maintain control of their senses and actions after it has inhabited their body. It also tends to prefer devouring those with meat in their diets over those who are vegan, and appears to gravitate toward men with male-pattern baldness, Ed Hardy cologne, or anonymous social media accounts.”

About the author: John Fogg is a prominent documentarian of magical non-human creatures, specializing in carnivorous species that occupy the Dresden, Yoros, and Ishtarian dimensions. His encyclopedic studies are considered staples to magical beings, and he has has contributed to more than three hundred journals, compilations and anthologies. Fogg’s mysterious disappearance in 2013, has confounded and concerned his followers, but those closest to him hold out hope that one day he will return with knowledge of some new and exciting species.

Axiom Thorne: Seeking help from Hanso Jon

After Stephan crumbled into a pile of cockroaches and beetles, I fled home in need of my mother. My heart beat so hard that I was sure it would bounce the silver viper fang right off the chain around my neck, but instead the metal just grew warm against my skin and I sprinted up the high road toward our small house on the edge of town.

She was in the kitchen, kneading bread dough. Of all the things to be doing, did she have to be baking? The round loaves rising in the sun reminded me of the baker’s shop window, and how he’d be looking out of it in just a few hours, expecting his son to come rounding down the street. My face drained, white as the flour on her hands.

“Baby, what’s the matter?” She asked. “What happened by the river?”

“Stephan—” I stuttered.

“I thought you were going to stay away from him,” she said, turning back to her baking. “He’s a nasty boy and a bully.”

“But Mamma—”

“What, Axiom?”

“I didn’t mean to. I mean, I didn’t do anything. He just — he just disappeared. Vanished without a trace, like the ground had just swallowed him up.”

The viper fang was hot against my skin. Mamma’s kneading stopped.

“What do you mean?”

“Stephan called me a freak, and then all of a sudden all these bugs just came up and…and…and ate him.”

She didn’t look mad. She didn’t look angry, either. Instead, she just looked at the colorful scarf I had wrapped around my neck. The one I had gotten two weeks earlier at my thirteenth birthday party from the Man with the Diamond Shoes.

“Right,” she said. “Go rinse off your legs change your dress — you’re muddy all over. We have an errand to run.”

An hour later, the bread was left to rise and we were walking down the high road. I was sure that we were heading back to the scene of Stephan’s demise so my mother could inspect it for herself. Maybe she would use some of those strange elven powers her sister crowed about to find out what exactly had happened and why.

But when we got to the top of the riverbank, Mamma didn’t ask which way we should go. Instead, she firmly took my hand and led me in the opposite direction of where Stephan had been torturing fish — past the bridge that acted as a boundary for where I was allowed to play, and into a wide bog dotted with stepping stones.

I put a foot out to step onto the first one, but Mamma yanked me back by my dress. She put her finger to her lips before turning to the bog and yelling: “Hanso Jon! Cretia Lilliput Thorne and her daughter seek your wisdom!”

The stones before us sank, and the bog’s surface crested and rippled as they reassembled into a straight walking path toward an island that had started to rise. My mother stepped out before me, leading the way down the path.

When we arrived at our destination, I turned back to see that the stones had sunk and scattered again. By the time I redirected my attention to my mother, she had cleared a chunk of moss from the center of the island to reveal a latch. Her housework-strong arms had no trouble lifting the trapdoor up, and she nodded her head toward the stairs.

“Watch your step,” she said.

Our half-elf dark vision lit the way as we inched down a flight of stairs and landed in a world all its own. Although I knew we were under the bog, there was a night sky above us, peppered with stars that glimmered. The stairs behind us had disappeared, too, so that we stood in the middle of a field, the breeze gently blowing the smell of imminent rain, blossoming honeysuckle, and fresh cut grass clippings into our faces.

“What is this place?” I asked.

“Somewhere I never thought I’d have to come again,” Mamma said, and she set down the path toward a house that looked suspiciously like our own.

The door opened before we knocked, though no one stood there. My mother led me inside, and we found ourselves staring at the presumable owner. She was tall — not yet stooped with age, though her hair was white and wispy, and her skin was like a piece of the crinkled sepia paper the butcher used to wrap meat.

“Cretia Lilliput, as I live and wheeze,” the woman said with a strong chuckle that turned into a dry cough. “Never thought I’d see your face in the Underbog again. What is it this time? Has he left you yet?”

I turned to my mother, but her face was stone.

“He left a long time, Hanso Jon. But you already knew that. Just like you know I’m here because of my daughter.” Her hand gripped my shoulder. It was warm in temperature, but not in emotion.

“A little Lilliput!” Hanso squealed. “Well let me look at you properly, my girl!” My mother pushed me forward a little into the light as the old woman scanned me. “Eyes and hair like your mother, but a willowy build like your father, if I recall correctly.”

Without warning, she swooped in on me and pressed her hands to the sides of my head. My vision compressed, then expanded into a memory of my father letting me chase him on my three-year-old stubby legs along the river; a flash of my mother crying next to an empty bed; Ansel smiling, his eyes squinting in the sun; then the leering face of the Man with the Diamond Shoes as he unwrapped the scarf and began to bleed from the gash in his neck.

“Ah,” Hanso said, pulling away. “I see. Tea, anyone?”

I hardly thought it was time for tea, but my mother didn’t object. We sat at the small wooden table in the corner as Hanso brought a tray over from the kitchen. Three china cups filled with pungent peach tea were already steaming on it.

“I know how much you like peach,” she turned to me. “This is my own special concoction.” I looked to my mother for her permission to drink and watched her lift her own cup to her mouth.

“So tell me about your birthday present,” Hanso said, nodding to the scarf. “It seems someone very powerful gave it to you.”

My eyes glanced at my mother, but something strange had happened: She was frozen in place, holding her tea millimeter away from her lips.

“She can’t hear you,” Hanso said with a wave. “And she won’t know we had this little discussion. So who’s the man with the bleeding neck? And why on earth did you think it was a good idea to take a gift he offered? I know you don’t come from smart stock, but even an idiot knows not to trust a man who’s clearly lost his head once or twice.”

It was hard to hold all the information in my head, so I just answered with a shrug while I tried to sort through everything I had learned since stepping foot outside the bog.

“Well, next time you should be a little smarter,” the woman said, sipping her own tea. “So just tell me — how do you know him?”

“He’s a magician in our village,” I said. “He does tricks like change the color of fire and make water taste like vinegar and nectar and stuff.”

“A charlatan act, surely,” Hanso said. “I can do that, too, but you don’t see me scrounging for gold on the streets with it. Watch.” She flicked a finger at my tea, and the smell shifted to tangy pomegranate. “So you know him from the village. What does he know about you?”

That I liked his scarf, I thought. That I didn’t mind talking to strangers, and sometimes I talked too much. That I felt belittled by the baker’s boy, and that I was about to turn 13 and felt like I should be considered far more grown up by now, especially since I towered over the other kids in the village.

I didn’t need to tell her any of this, though. She nodded like she had read my thoughts.

“Now what about the boy I saw smiling in your head?”

“Ansel?” I coughed on the pomegranate tea. “He’s just a boy.” A wonderful boy, I thought, and I’m sure she read that, too.

“Like mother, like daughter,” she sighed. “Do yourself a favor and stop thinking about beautiful boys. They’re only there for a meal, and once they get tired of your flavor, they go to find somewhere else to eat. And not even magic can fix that — just ask your mother.

“Speaking of which,” she said, and Mamma suddenly animated again.

“It appears that scarf around Little Lilliput’s neck has more than couture qualities,” Hanso said. “Do you mind if I examine it?”

I hadn’t removed it from around my neck — not at bed, not during baths — because I feared that my own neck would start to gush blood. But now that we were in the presence of a true sorceress (at least, I thought so), I felt safe to try it. Slowly I pulled it away, feeling the coolness of the house hit my skin.

“Yes, hand it here,” Hanso commanded, and I placed it like a large snake across her arms.

As the material touched her bare hands, the wrinkles in her face deepened; the creases caved in. The light draft inside the house blew her hair away like cotton off a dandelion, and she fell backward into the chair, shrinking until her chin was level with the tabletop. My mother gasped and reached for the scarf. Afraid of what the material could do to her, I pulled her back.

“It might hurt you too!” I yelled, taking it away from the mummy now sitting at the table. As I pulled it away, I saw that it had gotten longer — a thick stripe of metallic bronze knitting had affixed to the end.

Axiom Thorne: Sweet, sweet thirteen

So it was my thirteenth birthday. “Unlucky thirteen,” my aunt — screw her soul — would have said. “Such a nasty age,” she’d warned me and my mother, who just squeezed my hand to assure me that it wasn’t true. “The ugly duckling phase and all that,” she’d sneered. Mamma pushed a piece of blond hair out of my face lovingly. As it fell back into place, I saw that her magic had turned it an iridescent purple.

That year my aunt decided to torture me by throwing me a birthday party at our small house with all her large friends. Women in unseasonable silks and men in brocade suits crushed into the front hall, exclaiming loudly, “My, such a quaint little foyer!” and being sure to pronounce it “foy-yay,” as if the pretentious syllables would sweep away the peeling wallpaper and tarnished wall sconces.

Mamma cooked all the food, though my aunt declared it would be her job to provide the cake. A few of the neighborhood kids — forever latchkey lifters and storm door slippers — had wormed into the house to nick pastries and meat pies almost as soon as they came out of the oven. Mamma was quick, though. She let them have their fill as long as they promised to stay for the festivities so we could at least pretend this was a 13-year-old’s party and not some story for her sister’s friends to tell over champagne and steak tartar.

Just when it seemed the party had started to dwindle and the gilded rabble was ready to go home, my aunt burst through the kitchen door with a cake on a platter. It was stood five tiered layers tall with icing the color of pond scum and pale pink sugar orchids winding their way up the sides.

“Every birthday girl gets her cake and eats it, too!” She crowed to her friends’ delighted tittering. She set it in front of me and snapped her fingers dramatically to light the thirteen candles sprouting from the grass-green icing.

I inhaled dramatically, my mind trying to pick a wish. A wheel spun in my head, ticking past all the unlikely wants that had stacked up over the last hour: An empty house, my own room, my aunt gone on a long voyage, a kiss from Ansel next door, more (or just any) friends, fewer chores, bigger breasts, a cake that didn’t look like it might be poisoned…

But before I could exhale, my eye caught something — rather, someone — at the window. A man stood there, his face long and shoulders broad and adorned with a colorful scarf. The sun lit up the back of his charcoal hair like a halo, but his eyes remained shrouded by some mysterious source, as if he had brushed black dust across them. The gray pupils sparkled like jewels in the dirt.

The wheel in my head continued to spin, but every time my thoughts clicked onto one of its segments — my own room, my aunt gone on a long voyage, a kiss from Ansel — the mental inscription on it changed to “the man’s colorful scarf” until every single option was just that: The bright knitting that encircled the stranger’s neck.

I closed my eyes and blew.

Only seven of the thirteen candles extinguished, but Mamma subtly wished the rest to go dark.

“Happy birthday, darling,” she whispered in my ear, collecting up the cake so she could cut it in the kitchen without having to listen to my aunt share the life story of the baker who had made it.

“His daughter…a clubbed foot, if you can pity her,” her voice seemed far away, and soon it was, because I had risen from my chair at the head of the table to walk past the enthralled strangers, through the “foy-yay,” and out the front door to meet the man with my birthday wish.

“Thirteen, eh?” He asked, his voice rattling like pebbles in a tin can — not at all matching how youthful he actually was, now that I was this close to him. “A lot can happen at thirteen.”

One of his dark-powdered eyes winked, and I looked down at the ground bashfully. That’s when I noticed his shoes, encrusted in shiny stones. I can’t imagine they were real diamonds, but they certainly sparkled bright enough to make lies starbursts pop in my vision when I finally looked back up.

“I believe I have a gift for you,” he croaked, and he began to unwind the colorful scarf around his neck.

“Do you know what this is?”

“A scarf?” I asked, trying not to sound mesmerized as the brilliant knitting caught the sun with each pass around his shoulders. It must have been ten feet long, for how many times he had to untwist it. As soon as he had enough to reach, he started draping it around my own neck, winding it there like a weaver shifting thread from one reel to the next — tethering us together during the transfer.

“It’s magic,” he said. “You want to do magic, don’t you, Axiom?”

I nodded, mouth agape as I felt it warm against my skin.

“Each stripe is a different kind of magic I’ve found,” he said. He nodded to the window. “Do you know the man in the purple jacquard duster lustfully eyeing your mother right now?” Sure enough, my aunt’s friend was practically drooling as my mother leaned over him to hand a plate of cake to another partygoer.

I snorted in disgust.

“He passed me on his way inside and dropped some magic on the way,” the man nearly whispered, though I knew he wasn’t telling the whole story. “That’s this new shiny purple bit on the end.”

He waggled the very end of the scarf, which indeed looked more vivid than the other stripes.

“A lot of magic in this scarf,” the man was nearly audible now as he almost finished putting it around my neck.

As he began to lift the last loop away from his neck, I saw it: A fresh puckered scar across his throat. As the knitting peeled away, the wound began to open again, like he was ripping it open.

“Stop!” I yelled, watching the blood start to drip into the yellowed collar of his shirt.

“You don’t want your birthday present?” He asked with a gurgle. A bubble of blood expanded and popped along his neck.

“Not if it’s going to do…that,” I gestured to his throat. “Not if you need it.”

“Sweet, sweet thirteen,” he cooed. “What an age.”

“What an age!” My aunt hooted. I was sitting back at the table. The man in the window was gone, and the guests were still here. The guest in the purple jacquard duster coat was still salivating over my mother as she came over to me with my own slice of cake.

She leaned down close so only I would hear her: “I know you hate chocolate, baby,” she said apologetically. Sure enough, the green icing had been hiding what I wanted least — a dark chocolate cake that looked like compacted mud.

“By the way,” she asked, running her hand along something across my shoulder. “Who gave you such a beautiful scarf?”

Axiom Thorne: Before there was Ansel

I’m sure by now you’ve inferred that I got my warlockian powers just in time for Ansel to mysteriously disappear from the landscape of my life. You forget: I’m the one painting this picture, and it’s not a landscape, but a self-portrait, which means you get to see exactly what I want you to see the way I want you to see it.

If you squint and look past the last layer of oils I smeared on the canvas, you’ll see another figure. Stephan, the baker’s boy. He was beautiful, and he hated me.

No, that’s wrong. He liked me, but in the way you like having an old scab ready to pop off the skin: Something to pick at.

If it wasn’t tripping me in the mud, it was baking pine needles into a cookie that he slipped into our weekly order with a note that said “For sweet Axiom, Love S.” Mamma said it was because he liked me. I still say it was because he was an asshole.

But the thing about picking at scabs is that you eventually peel off all the crusty, curling skin and hit fresh flesh underneath. And when you do, it bleeds.

We were playing along Bounty’s Creek. “Playing” might be the wrong word, as my version of it was watching Stephan pluck tiny fish out from the shallows and place them on rocks to flip, flop and bake in the hot sun. I was entranced, not repulsed, by the way the light glinted off their scales, almost strobing as they danced away their last breaths. But Stephan couldn’t care less, sweeping the dead bodies back into the water to make room for his next victims. Whenever he’d pivot around, the light would flash off the gilded viper fang that hang around his neck — a trophy from a kill, he’d boast, even though we all knew it was purchased off one of the roving traders that came through town.

I must have stepped on a twig or sneezed, because at some point he noticed me standing in the brush, a voyeur to his routine pescacide.

“Freak,” he spat at me, the one word stinging my ears.

Says the boy killing fish for fun, I now wish I had retorted.

This was about two weeks after I had first encountered the Man in the Scarf and Diamond Shoes and he had tapped me on both cheeks and told me I was magic. The tattoo on my ankle at that point looked like a couple of overgrown freckles.

So how was I to know that Stephan had said the magic word?

Just after the last fish on the rock flipped its last flop, the sun grew dark, as if a cloud had crossed it. Looking up at the brilliant blue sky, I saw instead that a mass of dark speckles had gathered above us.

Stephan let out a loud swear, and I turned to see if he was looking at the sky, too. Instead, his eyes were trained at the ground, where it looked like a landslide had started at my feet, slipping down the bank towards him. Upon closer inspection, however, it wasn’t dirt but thousands of gleaming beetles clamoring over each other to get to the water. But then I realized the water wasn’t their target.

The baker’s boy didn’t dance like the dying fish. Instead, he screamed, and the bugs from above funneled into his open mouth while the bugs from below coated his skin. It was funny, really, watching a once-human body become a wriggling mass of black exoskeletons clicking and clacking against each other. Once they had had their fill, they collapsed to the ground and skittered away into nothingness.

I stepped to the edge of the water. There wasn’t even a smudge of flour where Stephan had been standing, as if the beetles had just carried him away. But there was one thing: a sliver of something shiny poking out from the silt, just past where the water lapped against the shore. It was the gold viper fang from around his neck, still attached to the chain.

Plucking it from the muck, I polished it on the hem of my shirt. Without a look back, I trudged up the bank to the high road as I clasped it around my neck.

Axiom Thorne: Remind me which lie I told you

OK, OK. Which version of this story did I tell you? Did Ansel die? Did he lie to me? Or did he tragically forget who I was as a cruel punishment for saving his life using ill-begot magic?

See, I forget what I tell people. There are so many renditions I’ve run through that it’s hard to keep track of who thinks they know what. You could say it’s a gift, being this good at lying, though in a lot of ways, each version somewhat resembles the truth. It’s just a matter of deciding which story I’ll tell. Usually I can figure out in the first ten minutes of knowing you what will likely tug at your heartstrings the most.

With eligible, unavailable men, it’s usually the “he lied to me” story. That one gets them every time — they love comparing their fidelity to his and feeling like the superior prospect: “I’d never cheat on my lover; I would be so much better to this woman.” Hypocritical, I know.

With eligible, available men, I talk about Ansel’s death. They decide quickly that all they need to do is clear the cobwebs of grief from my heart so they can take up residency, and the knowledge that no one from my past will come dusting them away is a confidence-boosting comfort. It’s easy to ensnare them by making them believe they have a chance to rule me.

But you all were different. No one was taking up the accursed mantel in our little club, so I figured I should do it. Every ragtag group of heroes needs its sob story, so I told you a rendition I reserve for old women and eager adolescent girls aching to have something to cry about other than aging and growing pains. And you all bought it, didn’t you? You, our captain; and you, the thief; and you, the self-righteous sea queen in disguise. I slowly revealed how Ansel had loved me, and was dying, and the Man with the Scarf and the Diamond Shoes had coaxed me into his alley and given me the magic I needed to save my love, but it came with a dreadful price.

I’ve never seen such suckers.

You all wanted to believe that my powers came from an overload of grief. It would mean they were temporary, curable with a kind smile or sunny day.

Let me assure you, my powers are about as temporary as death itself.

Of course, you’ll figure that out pretty soon. There’s a storm forming to the west, and it’s bringing ghosts this way. Maybe Ansel will be among them to tell you the truth himself.

This is the second piece I’ve written from the perspective of Axiom Thorne, the half-elf warlock I’m playing in our Dungeons & Dragons campaign. The first appeared in September as a short story. More to come, most likely.

Character: Deirdre St. Oleander

I talked to my first corpse when I was six.

There was a tramp who died in the gutter outside Miss Morton’s Millenary, where my mother sent me to stitch the tiny baby’s breath flowers along each hat’s brim. Tiny fingers are good for that work, and my vision was sharp enough to see even in the dim candlelight once the winter days grew shorter.

The tramp liked to say good morning to every lady who passed, sweeping his floppy hat off with a bow and exposing a shiny bald pate. Stitches ran across it like railroad tracks, like someone had once opened his head up, poked around in his brain, and closed it up hoping no one would notice.

Except I noticed.

When the tramp died, everyone thought he was sleeping. Even I thought he was just napping in the gutter when he suddenly stood up, swept his floppy hat off his head and bowed to me.

“Good morning, young miss,” he said like he always did, but this time it sounded like it was coming from underwater — gurgling, distant. I curtsied like my mother taught me. Every person is a person, especially those down on their luck, she would say.

“Tell me, do you know which way to the railroad station?” The tramp asked. “I seem to have forgotten.”

I pointed in the direction, and he walked off. It was then that I knew something was wrong. First off, his limp was gone, and he glided tall as a tree through the crowd. Second, while I watched him walk away, I also saw that he was still lying in the gutter.

Miss Morton — really Mrs. Debonay Tristan Morton, for as many times as she had been married at that time — came outside and shrieked. She never liked the tramp because she said he scared away her customers. While in life he never seemed to deter anyone from entering her shop, in death he certainly was getting his revenge.

The Street Sweepers came to get his body, and Miss Morton sent me home. While I want to believe it was because she felt bad that I, a wee six-year-old, had encountered death on her doorstep, I have a hard time believing a woman who employees a child that young for pennies a day had any concern for my well-being and was more worried that I had somehow contracted fleas or lice while standing so close to the body. For good measure, I hugged her around the waist before darting down the street back to my mother.

When I told her what had happened, she didn’t seem surprised. In fact, she seemed rather pleased.

“I knew you’d have it, DeeDee, but I didn’t think it would come this soon,” she crowed.

“Have what, Ma?”

“Your grandma had it, too. It skips generations, see. I was always happy I didn’t have it — they scare me, see — but if you’ve got it…sweetest, we’re out of the soup! You’ll never have to go back to Miss Morton’s again! We’ll have cake for breakfast, and you’ll have a trunk full of pretty clothes!”

Something was definitely amiss, as my mother was never one to fantasize. If the average person in our town was down-to-Earth, she was a layer of gravel under the cobblestones.

She was right, though. I never went back to Miss Morton’s Millenary, and by the end of that year I not only had a trunk of new dresses, but we had a whole new house where she and I had separate rooms, and a kindly woman cooked and cleaned for us while my mother toured me around to the biggest houses and theaters in the city. My name was plastered on posters pasted to theater windows and city squares — not DeeDee Sous, but Deirdre St. Oleander, Child Necromancer and Medium.

Butlers opened doors for me with a bow and led me into ornate parlors centered around ornate caskets surrounded by ornate people with top hats and Spanish fans. Audiences stood on their feet and applauded just when they caught site of me walking onstage. And then everyone would grow silent, and I would have to approach it: The body. Marble-like skin sagging over loose muscle. Crepe-like eyelids draped over visionless pupils.

Most of them didn’t notice the packed house staring at them when their spirit sat up to talk to me. Usually they were too self-involved, telling me who they never got to say goodbye to, or who they wanted to curse now that they had seen the afterlife. There was an older gentleman with a gear permanently implanted over his left eye who sat up, looked straight at his colleague in a high-backed leather chair, and spat on him. Of course, the colleague neither saw nor felt any of this. And it wasn’t my job to tell him — instead, I had to whisper it to the hostess of the wake, who could barely contain her excitement as she giddily skipped away to tell her friend, who presumably told her husband, who presumably passed it on to his co-worker…

When I turned 12, my mother and I moved into an even bigger home. This house had four servants, and still it was just the two of us. Then she met Mr. Theobald Dorchester, a made-up name if I ever heard of one, who charmed her into bankruptcy before he took off on a fishing boat, never to be seen again.

I was 14, then, and entering my gawky stage. I was no longer the cute child who could talk to the dead, and I was not yet a woman of any consequential properties, apart from my necromancy talent. Like the perpetual adolescent it is, the world had moved on from its obsession with the dead and taken up a new interest in the never-living as scientists built robots and steam-machines capable of traversing the universe. Who needs restless spirits when you can fly to the moon and back?

The bank took our house, so we moved into an old theater that used to host me every month. The stage manager had an apartment upstairs that he let us stay in while he worked nights at an underground tavern my mother said I was too young to know about. But 14-year-old girls are never too young to know something, and never too fearful to go looking for the truth, which is how I found The Borgnine Club.

I followed the stage manager, Fritz, there almost every Tuesday night because that was the night my mother cleaned The Inventor’s workshop. From behind dusty curtains I would watch the shows being performed, and the patrons who paid for admission. If there wasn’t a woman peeling off her bloomers on stage, there was a juggler or a comedian egging on the crowd. Waitresses drifted like smoke between the tables, dressed only in their corsets and garters. All clients were men, and each one of them was required to wear the same black top hat with a purple band around its middle. The waitresses would slip notes into the band from other patrons so that no one had to be seen fraternizing with each other, even though they all had secrets to share.

One night, as a bellydancer performed a sort of slapstick routine, there was a different hat that stood out from the sea of black stovepipes. It was a broad-brimmed lady’s hat, bright pink and edged with white baby’s breath. I watched the woman’s head bob in time to the piano player’s music and tip back as she laughed at the comedic performance, revealing an older, luminous visage. Her lips were painted black cherry, and her eyes crinkled as she guffawed. I was instantly mesmerized.

“That’s what this world is missing!” She crowed. “Enough of this masturbatory, self-important exploration — we want deprave dramatics! Give me a show magician or a fortune telling prodigy any day over these humdrum machines these men roll out to impress us. It’s all about the theater of it all!”

She had the attention of the whole club now. A few men coughed their indignation into linen handkerchiefs, but most of her fellow club members were enthralled.

“I once saw a little girl talk to my best friend’s sister three days after the poor woman died. Repeated stuff that even my best friend didn’t know, but I’ll tell you — that little darling was the real deal. Deborah something, I think her name was. Little spitfire, but she disappeared right after that. Probably grew up, or some nonsense like that.”

For the rest of the evening, my brain grew warm with the friction of thought grinding against hope. The woman’s party didn’t leave until 2 a.m., but I was awake and waiting outside the door.

“Ma’am,” I called after the pink hat in the crowd. She didn’t turn around, so I darted after her. “Ma’am, you mentioned me! You were friends with Mrs. Squire.”

At Mrs. Squire’s name, the pink hat turned, and I came face-to-face with the black cherry lips.

“Mrs. Squire?” The woman asked. “Well, yes, but how do you—”

“I’m Deirdre St. Oleander,” I said quickly, aware that her attention was worth more money than I had in my pockets, and I couldn’t afford to hold it for too long. “I was the little girl. I talked to Mrs. Squire’s sister, Adele.”

The woman’s face cracked open, almost as pink as her hat. She reeked of the hard liquor they sold in different shaped glasses inside the Borgnine Club.

“Why Miss St. Oleander,” she said. “Boys, this is the young necromancer I mentioned. You’re certainly growing into a lady. Not quite there yet, but soon, I imagine!”

My cheeks burned with the same embarrassment that came when my mother fretted over how we had little money and even less time before I’d need a proper corset and girdle for under my cotton shift dresses.

“Do you have any work for me?” I asked, my face now matching the woman’s hot pink hat. “Any dead people you want to talk to? Freshly dead, of course.”

The woman roared with the same laughter that echoed off the beams of the Borgnine.

“My sweet, not tonight, but give me a day and I’ll have ridden one of these gorgeous men to their death,” she said, squeezing the arm of the tall many next to her. “But if you were to put on a show, I would buy out the theater. I haven’t had as much schadenfreude as I had when you announced how Lydia Squire’s sister once made a pass at me during their parent’s Winter Ball. Ooh, how Lydia steamed — I didn’t hear from her again, and good riddance is all I can say about that.”

The men around her chortled.

“Next Saturday,” I blurted. “The Old Mill Theater. Eight o’clock.”

“Noted,” she said, impressed. “Thank you, Miss St. Oleander. I look forward to a spectacle,”

The week passed like a blur, and so did the show, but with a giant pink splotch in the middle of the muddled memory. The woman surely had filled the theater with her friends, and she made sure to sit front and center as I talked to a baker we had borrowed from the morgue (he asked that his recipe for hot crossed buns be shared only with his middle son, and no one else); an inventor who had, just that day, blown himself up trying to get to Mars (he wanted to know where his legs had gone); and, could it be? Miss Morton herself, bloated with booze and clucking about this year’s dismal styles for ladies’ headwear. I relayed her ten-minute rant about fascinators to the audience, expanding just a little on the horrors of taxidermy birds perching atop any woman’s head.

After the show, the woman came backstage to thank me personally for a much-needed evening.

“It was spectacular,” she said. “Just a little advice — add some more theatrics next time. You have a gift: Now give it a little sparkle.”

Luckily, I was the kind of teenager who loved sparkle. A few late nights at the Borgnine Club sponsored by the woman in the pink hat, and we had enough money to buy me a proper corset and underthings, plus a scandalously short dress that made my mother cross herself before sitting down to count the night’s takings. By the time I was 15, we had moved out of the stage manager’s apartment and taken up residency next door. It was a modest home, but it was ours.

When I was 16, my mother started coughing up blood and coal dust. It was all those years cleaning for The Inventor, I knew. Medicine was expensive and not guaranteed to work, but I kept adding more theatrics to my shows. When the dead bodies had nothing interesting to say — they wondered the time, or asked for directions to the tavern — I would embellish just enough so the audience was eating out of my one hand and filling the other with paper bills.

I was 17 when a man dressed in a brown leather coat lied flat on the slab before me. His face was half gone, scraped away by the road as a steam-powered carriage dragged him half a mile before the driver noticed. When his spirit sat up, it did nothing but scream.

Once in a while we got screamers. At 8, I ran off the stage with my hands over my ears because of the wailing banshee the coroners had dropped off for our show. But this man’s yells were nothing like I had heard before. They sounded like they were coming up from his toes and amplifying through the gaping hole in the side of his face.

“Sorry, folks,” I tried to say over the screams. “He’s a little hard to understand. Had a bit much to drink, I’m afraid, and it appears he’s woken up from the dead still drunk! The man just made a pass at me.” I clutched my chest and looked at the screaming soul, feigning scandal.

Most of the audience laughed, but not the man at the table in the front row. He glowered at me, and it felt like the bones in my corset had suddenly twisted even tighter.

“Sir, you have to say it slower and quieter,” I said to the man in the brown coat. He turned to look at me and continued screaming, his facial wounds now inches from my face. My throat closed to keep from vomiting.

“He’s not drunk,” said a voice. It was the man in the front row. “He’s a Brother.”

I should have known from his brown coat and coarse black boots, and how he had been riding in the back of a steam-powered carriage, instead of up with the driver. This man wasn’t some drunk who got tangled up and dragged a half mile. He was a Brother of the Order — a devout follower who abstained from sex, alcohol, modern mechanics, and, most importantly, speech.

It all felt like a cruel joke, and I was punchline. A hush fell over the audience, and the woman in the pink hat looked at me like I had betrayed her.

“Miss Deirdre,” she said, standing soberly. “I do believe you’ve been caught in a lie.”

“But I—”

“And it makes one wonder,” she said even louder, “how many times before you’ve caught us in your lies.”

The audience was on its feet now, either knocking back the last of their drink or throwing their empty glasses at the foot of the stage. The man in the front row stood up, shook his head, and walked out as silent as the Brother.

That was the last time I saw the woman in the pink hat. I performed only once more at the Borgnine Club before they canceled my other appearances, and soon word got around town that I was a fraud, just because I gave the people what they wanted: Not the dead talking, but the dead singing.

I’m not a fraud. I can talk to the dead.

I’m talking to you right now, aren’t I?