Inglourious Basterds: A decade of revisionist catharsis

File this under “writespiration” — ten years of it, as it turns out. I was shocked to find out that it’s been a decade since Quentin Tarantino’s Inglorious Basterds was released on an unsuspecting world.

I won’t take too much time talking about how the revisionist historical look at Adolf Hitler’s demise has gained new gravity since its release in 2009. Back then it was surprising and satisfying, watching Nazis die horrible deaths and Hitler peppered with bullets until his face looks like a cheap Halloween mask. Today it’s purely cathartic, as the very thing Aldo Raine, the basterds, Bridget von Hammersmark and Shosanna Dreyfus blew up in that Parisian theater has returned with internet memes, tiki torches and the presidential seal.

Instead, I want to focus on how Tarantino’s first installment of his revisionist trilogy (the other two being Django Unchained and Once Upon a Time in Hollywood) inspired me to start writing speculative fiction. Revisionism and speculation are polar opposites, I get that, but they share the same starting point: Alternate reality.

Inglorious Basterds asks “What could have been?” I like to ask “What could be?”

The latter, of course, is the basis for science fiction, and I suppose I write a lot of that. But with my current project — of which the first draft is done (woot) and awaiting two months’ worth of extensive edits (oof) — I prefer to focus on what our reality would be if tech-enabled vigilantes existed and were widely accepted. Where Tarantino’s film asked what would have happened if a band of rogue American Jews were enabled to massacre the entire Nazi party in one night, I ask what would happen if the Good Samaritan line cooks and taxi drivers of the world suddenly became superheroes…and super-villains.

My hope is that my project says as much as Tarantino did in his film. But because of that movie from 10 years before, I know the kind of emotion I want to draw from my readers: Not catharsis at watching one of the most evil men to ever live get blasted apart like a piñata stuffed with C4, but the same curiosity hinging on the question “What if?”

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#NaNoWriMo2018 Post mortem: A landfill of chaos

I’ve been away from the blog for a while because I’ve been recouperating — in all aspects of life: sleep, social, day job, reading. Turns out devoting all of November to 50,000 words of a book really detracts from, well, everything else.

But here I am, 50,788 words later, with 2018’s National Novel Writing Month behind me. Goal achieved. Book…in progress.

Because that’s really all this year’s NaNoWriMo accomplished, really. By the middle of the month I abandoned my usual approach of “write with a few plot points in mind and the connective tissue will come together naturally.” Instead, I found myself writing blurbs, scenes, and conversations in roughly the order I expect they’ll appear in the final product. 

I gotta say, my first three chapters are super tight, and there’s some real filth that would make EL James blush.  

In 2017, I wrote Omaha, the book that I had been planning for three years, submitted a detailed synopsis for, and promised to an interested agent. With Omaha currently “in sub” (a term I learned from a fellow corporate novelist that means “in submission with publishers”), I was both blessed and cursed with lower stakes this year. And that allowed me more wiggle room to write whatever parts of the book I wanted. 

But that’s the point of NaNoWriMo, as most participants understand. Author Chuck Wendig has the best, or at least most colorful,  perspective on the 50,000-word, 30-daylong sprint:

“What once was an innocent tract of unbroken order is now a landfill of chaos….That, I think, is the guiding principle of National Novel Writing Month: you are here not for purity, not for innocence, not for perfection. You are here to ruin a perfectly good empty page. And that isn’t just the purview of this month — but it’s writing any story, on any day.”

In a different blog post, Wendig also points out that you don’t win NaNoWriMo by hitting the 50,000 word mark by 11:59 p.m. local time on Nov. 30 — you win when you finish the book. And I agree. Here I sit with 81 pages of everything from full chapters to quippy five-sentence paragaphs that have to eventually get strung together into somethign coherent, and I don’t feel like I jogged across the finish line triumphantly but rather scratched my way across it, breaking a few nails along the pavement.

(Apologies to anyone like me who still feels their sphincter tighten when they think about that shot from inside Buffalo Bill’s well in Silence of the Lambs.) 

So as I finally sit down with enough energy to do a post-mortem on my work in November, I recognize that I’m far from winning NaNoWriMo, regardless of the snappy e-certificate they sent me. There’s a lot of work to be done, and I eb in and out of excitement and dread at it. But it’ll get done, and I’m a lot further along than I was in October.

Now it’s just time to bring some order to the landfill of chaos.

#NaNoWriMo2018 Day 30: An ending for ‘Nobody’s Hero’

The next morning, they packed up the lab and called a local charity that was willing to take the furniture for their resale shop. Foster picked up the U-Haul and drove it into the bay where the Corvette used to be parked, and together they loaded all of the papers, armor, weapons and hard drives.

They drove to the field where Foster and his buddies had experimented with flame color via fireworks and stolen chemicals from the industrial park surrounding their subdivision. Someone had left a Very Best of Cat Stevens CD in the truck’s disc player, so they listened in comfortable silence. Pru had heard it before —Yusuf Islam was a fixture in her childhood as her parents revisited their hippie days whenever the bohemian style came back en vogue — but she had never really heard it. But now “Wild World” patched the silent gap between her and Foster in the passenger seat, and she found herself moved by it. 

“Ooh baby baby, it’s a wild world,” Stevens sang. “It’s hard to get by on just a smile.” 

And yet that’s all she had anymore. She had alienated her parents, destroyed her career and almost burned down half of Centropolis in her pursuit of saving it. The FVA didn’t want her back as Nightfire, and she couldn’t think of who to call about a job now that she had wrecked her parents’ reputation (not that they didn’t deserve it in the end, of course). No PR firm was going to hire a whistleblower who had ratted out her own parents’ unethical practices.  

What irked her the most was that she wasn’t even sure what she wanted for herself next. There was enough money in her account to sustain her for a year, but what she needed sustenance for was the question. She didn’t mind driving this truck while listening to Cat Stevens, who had now gone on to sing “Where Do the Children Play?” Maybe she could get a job driving a rig for a while. Get out of town, see the country. Listen to all the Cat Stevens, Stevie Nicks, Nick Cave she wanted. Wear denim jackets and T-shirts under flannel. Find herself under all the makeup and nail polish that she’d layered on throughout the years. 

This is an excerpt from the ending of my NaNoWriMo project this year, though the book isn’t nearly finished yet. Stay tuned for a post-mortem on the month and lessons learned. For now, I’ve got 2,000 words more to write by midnight!

#NaNoWriMo2018 Day 28: “Savior” by St. Vincent

Another song discovered this week at just the right time. I’m diving more into Pru’s romance with Federal Vigilante Agent Maxwell Spelling, and when I heard “Savior” by St. Vincent — really heard it — and decided it was a perfect summary of their relationship. Pru is so enamored by him that she doesn’t mind that he’s looking for her to be a distraction, scapegoat, accomplice and victim all at once for him. Similarly, St. Vincent’s song cosmetically sounds like a woman’s adventure with sexual experimentation as her partner begs her to take on different roles (nurse, teacher, nun, cop and leather-momma).

But that’s not the point of the song at all, it turns out.

“I got ’em trying to save the world,” she murmurs at the end. “They said, ‘Girl, you’re not Jesus.'”

So not only is “Savior” about the demands Max makes on Pru in their relationship, but also on the demands she makes on herself and those around her. St. Vincent insists she “can’t be your savior” until being worn down by her lover’s pleas. Pru succumbs to her own addiction to the rush that comes from making a difference.

#NaNoWriMo2018 Day 27: Amorous Congress

Having been a bartender for ten years, Nick Matthews could tell when a date was going well, and when the dude should just put down his card and call it a night. It usually had to do with how long either person took to look through the ten to twelve cocktail cards and pick their drink. If only one of them picked it right away, it meant they wanted to get the hell out and on with their separate life. If both were antsy to order, it meant they wanted to knock it back and leave to the next thing (depending on the hour, dinner or bed). And if both mulled over the menu because they were too busy talking about other things, it meant that this was a long-term relationship in the making.

The couple that had come in tonight — Lou, the owner, had told the hostess to move them up the list for a coveted spot at the bar because he recognized them from TV — were so busy talking that Nick wasn’t sure if they’d ever order. Finally they decided on something and put the order in. Two cocktails with egg whites. Nick would have to strangle whoever decided the menu tonight should have three different shaken egg white cocktails on it. His arms were killing him. 

“An Amorous Congress and a Screaming Mimi,” he said, pushing the drinks across the bar at the couple. They hardly noticed him, but the man flipped a card out of his wallet.  

“Tab?” Nick asked. 

“Sure, why not?” the man said with a smile.  

The name of the cocktails were also a sign of where things were going. If the woman wasn’t interested in her date, no way would she have ordered a drink called Amorous Congress. There were others on the menu sometimes — Or Gee, It’s Punch!; the Boot Knocker; and the Bondage Night Special — that could be used to subliminally tell a drinking partner (or partners) what you might be up for, but there were others like Not Tonight, Satan, and We’ll Never Have Paris that hinted the other direction.  

Two Amorous Congresses, one Screaming Mimi and a draught of Whistle Pig scotch later, Nick was hoping they’d either get another round or get the fuck out. His girlfriend had texted to say she and a friend wanted to stop by, and he could use the two seats. 

That wasn’t to say he wasn’t thoroughly entertained by the couple. They had turned out to be all right folks: well-versed in their brown liquors and convivial toward him. Unlike some of the more stomach-churning dates he had seen, there was never a dull silence or barbed comment. He didn’t know where some of these guys got the idea that insulting a woman was the best way to gain her favor. 

#NaNoWriMo2018 Day 26: The city’s ribcage

For being called “The Oculus,” it looks more like a ribcage than something that can see — especially in this February fog. Its bones splay out, opening its spine up to the sky and exposing the invisible heart that floats within. It’s the heart that holds all of the memories of what used to be in this spot before that Tuesday in September, so no wonder the ribcage is open: It’s trying to let out some of that agony.

The Oculus building stands in New York at the World Trade Center

The Oculus in New York overshadowed by a February fog.